In today's world, Schlesinger Building has become a topic of great relevance and interest to a large part of the population. Whether due to its impact on society, its historical relevance or its influence in different areas, Schlesinger Building has captured the attention of experts, scholars and fans alike. In this article, we will explore in depth the different aspects related to Schlesinger Building, from its origin and evolution to its impact today. We will also analyze the opinions of experts and current trends surrounding Schlesinger Building, with the aim of providing a comprehensive view on this topic that is so relevant in the current context.
Schlesinger Building | |
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Alternative names | Wesbank Centre, Sanlam Centre |
General information | |
Status | Completed |
Type | Office |
Architectural style | International style Modern |
Address | 222 Smit Street, Braamfontein |
Town or city | Johannesburg |
Country | South Africa |
Coordinates | 26°11′42″S 28°02′28″E / 26.1949341°S 28.0410794°E / -26.1949341; 28.0410794 |
Named for | John Schlesinger |
Completed | 1965 |
Opened | 1965 |
Owner | Schlesinger Organization (original) |
Height | |
Architectural | 110 metres (360 ft) |
Tip | 110 metres (360 ft) |
Technical details | |
Material | Concrete |
Floor count | 21 |
Design and construction | |
Architect(s) | Monty Sack |
References | |
The Schlesinger Building, also known as Wesbank Centre or Sanlam Centre, is a skyscraper in Braamfontein, Johannesburg, South Africa. It was built in 1965 to a height of 110 metres (360 ft). It has 21 floors. The building is named for John Schlesinger, a Johannesburg businessman who was also one of the first major art collectors in the city.
Doreen E. Greig, who was the first female president-in-chief of the South African Institute of Architects, described the building in her book as 'an immense building' with a 'sombre and monumental' aspect, which derived from the reflection of grey-green glass sheathing. Its facade are swollen and its vertical aluminium mullions are balanced by the horizontal glass spandrels, which also less obscure than the fenestration.
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