In today's world, Taylor-Schechter 16.320 is still a topic of great relevance and debate. From its origins to its impact on contemporary society, Taylor-Schechter 16.320 has generated constant interest and raised mixed opinions. Throughout history, Taylor-Schechter 16.320 has been the object of study, reflection and controversy, influencing different aspects of daily life, culture and politics. Whether due to its relevance in the academic field, its impact on society or its importance in popular culture, Taylor-Schechter 16.320 continues to be a topic of interest for people of all ages and backgrounds. In this article, we will delve into the fascinating world of Taylor-Schechter 16.320 and explore its many facets, from its origin to its influence today.
Taylor-Schechter 16.320 (T-S 16.320; TM 62154; LDAB 3314; vh236; Rahlfs 2006) is a Greek biblical manuscript written on parchment in codex form. This is a palimpsest that contains the Palestinian Talmud and the Septuagint Psalms. The manuscript is dated 550 – 649 CE.
The upper text of this palimpsest is the Hebrew Palestinian Talmud, Moʿed Qaṭan 82a-b; 83b. The under text is the Septuagint of Psalms 143:1-144:6. Psalmi 143-144 are written in a regular round Biblical majuscule.
The manuscripts is written in one columns per page and contains the Hebrew Tetragram.
The manuscript comes from the Genizah in Egypt and was donated by Solomon Schechter and his patron Charles Taylor in 1898 as part of the Taylor-Schechter Genizah Collection.
Currently, the manuscript is stored at Cambridge University Library, as Taylor-Schechter 16.320.