List of songs by Franz Schubert
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| Lists of |
| Compositions by Franz Schubert |
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| By genre |
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The following is a list of the complete secular vocal output composed by Franz Schubert (31 January 1797 – 19 November 1828).
It is divided into eleven sections, and attempts to reflect the most current information with regards to Schubert's catalogue. The works contained in this list refer to those found primarily in the following two series of the New Schubert Edition (NSE) edition:
- Series III: Partsongs, Choruses and Cantatas (Mehrstimmige Gesänge)
- Series IV: Songs for solo voice (Lieder)
Note however that some of Schubert's song cycles contain both Lieder and part songs.
The list below includes the following information:
- D – the catalogue number assigned by Otto Erich Deutsch or NSE authorities
- Genre – the musical genre to which the piece belongs
- Title – the title of the work
- Incipit – the first line(s) of text, as pertaining to vocal works
- Scoring – the instrumentation and/or vocal forces required for the work
- Informal Title – any additional names by which the work is known, when applicable
- Former Deutsch Number – information on Deutsch numbers that have been reassigned, when applicable
- Date – the known or assumed date of composition, when available; or date of publication
- Opus Number – the opus number of the original publication of the work, when applicable
- Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text
- Version – the number of version as it pertains to vocal settings that have more than one existing version
- Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.
Part songs
Part songs, Series III in the New Schubert Edition (a few in Series IV), or Series XVI-XIX in Franz Schubert's Works (a few in Series XX).
Part songs with an opus number
Part songs published during Schubert's lifetime
Op. 6
- No. 2 D 542, Duet "Antigone und Oedip" for two voices and piano (1817)
Op. 11
- No. 1 D 598, Quartet "Das Dörfchen" for two tenors, two basses and piano (1817, 2nd version )
- No. 2 D 724, Quartet "Die Nachtigall" for two tenors, two basses and piano (1821 or earlier)
- No. 3 D 747, Quartet "Geist der Liebe" for two tenors, two basses and piano (1822, 2nd setting)
Op. 16
- No. 1 D 740, Quartet "Frühlingsgesang" for two tenors, two basses and piano (1822, 2nd setting)
- No. 2 D 422, Quartet "Naturgenuß" for two tenors, two basses and piano (1822?, 2nd setting)
Op. 17
- No. 1 D 983, Quartet "Jünglingswonne" for two tenors and two basses (pub. 1823)
- No. 2 D 983A, Quartet "Liebe" for two tenors and two basses (pub. 1823)
- No. 3 D 983B, Quartet "Zum Rundetanz" for two tenors and two basses (pub. 1823)
- No. 4 D 983C, Quartet "Die Nacht" for two tenors and two basses (pub. 1823)
Op. 28
- D 809, Quartet "Gondelfahrer" for two tenors, two basses and piano (1824, 2nd setting)
Op. 52
Sieben Gesänge aus Walter Scotts ‘Fräulein am See’
- No. 3 D 835, Quartet "Bootgesang" for two tenors, two basses and piano (1825)
- No. 4 D 836, Chorus "Coronach (Totengesang der Frauen und Mädchen)" for women's choir and piano, Totengesang der Frauen und Mädchen (1825)
Op. 62
- D 877, Song cycle Gesänge aus "Wilhelm Meister" (1826)
- 1. "Mignon und der Harfner" for two voices and piano (5th setting)
Op. 64
- No. 1 D 825, Quartet "Wehmut" for two tenors and two basses (1826)
- No. 2 D 825A, Quartet "Ewige Liebe" for two tenors and two basses (1826)
- No. 3 D 825B, Quartet "Flucht" for two tenors and two basses (1825)
Op. 74
- D 37, Trio "Die Advokaten" for two tenors, bass and piano (1812)
Op. 81
- No. 3 D 903, Cantata "Zur guten Nacht" for baritone, men's choir and piano (1827)
Op. 102
- D 875, Quintet "Mondenschein" for two tenors, three basses and piano (1826)
Part songs published posthumously
Op. posth. 104
- D 930, Trio "Der Hochzeitsbraten" for soprano, tenor, bass and piano (1827)
Op. posth. 111
- No. 1 D 189, Cantata "An die Freude" for voice, unison choir and piano (1815)
Op. posth. 112
- No. 1 D 985, Quartet "Gott im Ungewitter" for soprano, alto, tenor, bass and piano (1815?)
- No. 2 D 986, Quartet "Gott der Weltschöpfer" for soprano, alto, tenor, bass and piano (1815?)
- No. 3 D 232, Quartet "Hymne an den Unendlichen" for soprano, alto, tenor, bass and piano (1815)
Op. posth. 128
- D 472, Cantata "Kantate zu Ehren von Josef Spendou" for two sopranos, tenor, bass, mixed choir and orchestra (1816, see also D 470?)
- I. Da liegt er, starr
- II. Gottes Bild ist Furst und Staat
- III. Ein Punkt nur ist der Mensch
- IV. Die Sonne sticht
Op. posth. 131
- No. 2 D 148, Cantata "Trinklied" for tenor, men's choir and piano (1815)
Op. posth. 133
- D 757, Quartet "Gott in der Natur" for two sopranos, two altos and piano (1822)
Op. posth. 134
- D 892, Cantata "Nachthelle" for tenor solo, two tenors, two basses and piano (1826)
Op. posth. 135
- D 920, Cantata "Ständchen" for alto, women's choir and piano, Notturno (1827, 2nd version)
Op. posth. 136
- D 942, Cantata "Mirjams Siegesgesang" for soprano, mixed choir and piano (1828)
- I. Rührt die Zimbel, schlagt die Saiten
- II. Aus ägypten vor dem Volke
- III. Doch der Horizont erdunkelt
- IV. S’ist der Herr in seinem Grimme
- V. Tauchst du auf, Pharao?
- VI. Drum mit Zimbeln und mit Saiten
Op. posth. 139
- D 815, Quartet "Gebet" for soprano, alto, tenor, bass and piano (1824)
- D 913, Quartet "Nachtgesang im Walde" for two tenors, two basses and four horns (1827)
Op. posth. 146
- D 763, Quartet "Schicksalslenker, blicke nieder" for soprano, alto, tenor, bass and piano, Des Tages Weihe (1822)
Op. posth. 151
- D 912, Chorus "Schlachtlied" for double men's choir (1827, 2nd setting)
Op. posth. 155
- D 847, Quartet "Trinklied aus dem 16. Jahrhundert" for two tenors and two basses (1825)
Op. posth. 156
- D 848, Quartet "Nachtmusik" for two tenors and two basses (1825)
Op. posth. 157
- D 748, Cantata "Am Geburtstage des Kaisers" for soprano, alto, tenor, bass, mixed choir and orchestra (1822)
Op. posth. 158
- D 666, Cantata "Kantate zum Geburtstag des Sängers Johann Michael Vogl" for soprano, tenor, bass and piano, Der Frühlingsmorgen (1819)
- I. Sänger, der von Herzen singet
- II. Diese Berge sah’n dich blühen
- III. Da saht ihr Orestes scheiden
- IV. Gott bewahr’ dein teures Leben
Op. posth. 167
- D 714, Octet "Gesang der Geister über den Wassern" for four tenors, four basses, two violas, two violoncellos and double bass (1820–1821, 4th setting; 2nd version)
Op. posth. 169
- D 984, Quartet "Der Wintertag" for two tenors, two basses and piano, Geburtstaglied (after 1820, fragment; piano part is lost)
Part songs with orchestral accompaniment
- D 110, Cantata "Wer ist groß?" for bass, men's choir and orchestra (1814)
- D 294, Cantata "Namensfeier" for soprano, tenor, bass, choir and orchestra, Namensfeier fur Franz Michael Vierthaler or Gratulations-Kantate (1815)
- D 451, Cantata "Prometheus" for soprano, bass, choir and orchestra (1816, lost)
- D 714, Octet "Gesang der Geister über den Wassern" for four tenors, four basses, two violas, two violoncellos and double bass (1820–1821, 4th setting; 1st version , sketch)
- D 954, Cantata "Glaube, Hoffnung und Liebe" ; version for two tenors, two basses, mixed choir, two oboes, two clarinets, two bassoons, two horns and two trombones (1828)
Part songs for mixed ensemble
Part songs for mixed ensemble and piano
- D 47, Cantata "Dithyrambe" for tenor, bass, mixed choir and piano (1813, 1st setting; fragment)
- D 126, Duet "Szene aus ‘Faust’" for two voices and piano (1814, 1st and 2nd versions; also possible as a Cantata for voice, choir and piano; or as a Cantata for two voices, choir and piano)
- D 168, Chorus "Nun laßt uns den Leib begraben" for mixed choir and piano, Begräbnislied (1815)
- D 168A, Chorus "Jesus Christus unser Heiland, der den Tod überwand" for mixed choir and piano, Osterlied (1815)
- D 236, Trio "Das Abendrot" for two sopranos, bass and piano (1815)
- D 249, Cantata "Die Schlacht" for unspecified voices/instruments (1815, 1st setting; sketch)
- D 352, Duet "Licht und Liebe" for soprano, tenor and piano, Nachtgesang (1816?)
- D 387, Cantata "Die Schlacht" for unspecified soloists, choir and piano (1816, 2nd setting; sketch)
- D 439, Quartet "An die Sonne" for soprano, alto, tenor, bass and piano (1816)
- D 609, Quartet "Die Geselligkeit" for soprano, alto, tenor, bass and piano, Lebenslust (1818, 2nd part of the 1st verse, "im traulichen Kreise" was formerly D 665)
- D 642, Quartet "Viel tausend Sterne prangen" for soprano, alto, tenor, bass and piano (1812?)
- D 725, Duet "Linde Weste wehen" for mezzo-soprano, tenor and piano (1821, fragment)
- D 826, Quartet "Der Tanz" for soprano, alto, tenor, bass and piano (1828)
- D 875A, Chorus "Die Allmacht" for mixed choir and piano (1826, 2nd setting; sketch)
- D 920, Cantata "Ständchen" for alto, men's choir and piano, Notturno (1827, 1st version)
- D 936, Cantata "Kantate für Irene Kiesewetter" for two tenors, two basses, mixed choir and piano duet (1827, also appears as "Kantate zur Feier der Genesung der Irene Kiesewetter")
- D 954, Cantata "Glaube, Hoffnung und Liebe" ; version for two tenors, two basses, mixed choir and piano (1828)
- D Anh. I,24, Cantata "Kantate auf den Vater" for unknown voices and piano (?) (1816, lost)
Part songs for mixed ensemble a cappella
- D 329A, Canon "Das Grab" for mixed choir (1815, 1st setting; sketch)
- D 440, Chorus "Chor der Engel" for mixed choir (1816)
- D 643A, Quartet "Das Grab" for soprano, alto, tenor and bass (1819, 5th setting)
Part songs for only male or only female voices
Part songs for male or female ensemble and piano
- D 169, Chorus "Trinklied vor der Schlacht" for double unison choir and piano (1815)
- D 170, Cantata "Schwertlied" for voice, unison choir and piano (1815)
- D 183, Cantata "Trinklied" for voice, unison choir and piano (1815)
- D 330, Chorus "Das Grab" for unison choir and piano (1815, 2nd setting; scoring also possible for choir and piano)
- D 442, Chorus "Das große Halleluja" ; version for choir and piano (1816)
- D 443, Chorus "Schlachtlied" ; version for choir and piano, Schlachtgesang (1816, 1st setting)
- D 521, Chorus "Jagdlied" ; version for unison choir and piano (1817)
- D 542, Duet "Antigone und Oedip" for two voices and piano (1817, modified version with changes by Johann Michael Vogl)
- D 545, Duet "Der Jüngling und der Tod" for two voices and piano (1817, 1st version)
Part songs for male or female ensemble a cappella
- D 61, Canon "Ein jugendlicher Maienschwung" for three voices (1813)
- D 69, Canon "Dreifach ist der Schritt der Zeit (Spruch des Konfuzius)" for three voices (1813, 2nd setting)
- D 130, Canon "Der Schnee Zerrinnt" for three voices (1815?, 1st setting)
- D 131, Canon "Lacrimoso son io" for three voices (1815?, 1st and 2nd versions; 2nd version titled "Lacrimosa son io" )
- D 199, Duet "Mailied" ; version for two voices (1815, 2nd setting)
- D 202, Duet "Mailied" ; version for two voices (1815; 2nd setting of D 130, with a different title)
- D 203, Duet "Der Morgenstern" ; version for two voices (1815, 2nd setting)
- D 204, Duet "Jägerlied" ; version for two voices (1815)
- D 205, Duet "Lützows wilde Jagd" ; version for two voices (1815)
- D 244, Canon "Willkommen, lieber schöner Mai" for three voices (1815?, 1st and 2nd versions)
- D 253, Duet "Punschlied. Im Norden zu singen" for two voices (1815, 2nd version)
- D 357, Canon "Gold’ner Schein" for three voices (1816)
- D 873, Canon in A major for six voices (1826?, sketch without text)
- D 988, Canon "Liebe säuseln die Blätter" for three voices (1815?)
- D deest, Canon "Canon a trè" in B-flat major for three voices (1816? fragment)
- D deest, Trio "?" in D major for unspecified voices (date unknown, fragment without text)
Part songs for male ensemble and piano
- D 75, Cantata "Trinklied" for bass, men's choir and piano (1813)
- D 140, Trio "Klage um Ali Bey" for two tenors, bass and piano (1815, 1st version)
- D 267, Quartet "Trinklied" for two tenors, two basses and piano (1815)
- D 268, Quartet "Bergknappenlied" for two tenors, two basses and piano (1815)
- D 269, Trio "Das Leben" for tenor, two basses and piano (1815, 1st version)
- D 277, Trio "Punschlied" for two tenors, bass and piano (1815)
- D 356, Quartet "Trinklied" for two tenors, two basses and piano (1816, fragment)
- D 513, Quartet "La pastorella al prato" for two tenors, two basses and piano, La Pastorella (1817?, 1st setting)
- D 569, Chorus "Das Grab" for unison men's choir and piano (1817, 4th setting)
- D 705, Quartet "Gesang der Geister über den Wassern" for two tenors, two basses and piano (1820, 3rd setting; sketch)
- D 710, Quartet "Im Gegenwärtigen Vergangenes" for two tenors, two basses and piano (1821?)
- D 822, Cantata "Lied eines Kriegers" for bass, unison men's choir and piano (1824)
- D 865, Quartet "Widerspruch" for two tenors, two basses and piano (1828, 1st version)
Part song for male ensemble and guitar
- D 80, Trio "Zur Namensfeier meines Vaters" for two tenors, bass and guitar (1813)
Part songs for male ensemble a cappella
- D 38, Trio "Totengräberlied" for two tenors and bass (1813?, 1st setting)
- D 43, Trio "Dreifach ist der Schritt der Zeit (Spruch des Konfuzius)" for two tenors and bass (1813, 1st setting)
- D 51, Trio "Unendliche Freude durchwallet das Herz" for two tenors and bass (1813, 1st setting)
- D 53, Trio "Vorüber die stöhnende Klage" for two tenors and bass (1813)
- D 54, Canon "Unendliche Freude durchwallet das Herz" for three basses (1813, 2nd setting)
- D 55, Trio "Selig durch die Liebe" for two tenors and bass (1813)
- D 57, Trio "Hier strecket der wallende Pilger" for two tenors and bass (1813)
- D 58, Trio "Dessen Fahne Donnerstürme wallte" for two tenors and bass (1813)
- D 60, Trio "Hier umarmen sich getreue Gatten" for two tenors and bass (1813)
- D 62, Trio "Thronend auf erhabnem Sitz" for two tenors and bass (1813)
- D 63, Trio "Wer die steile Sternenbahn" for two tenors and bass (1813)
- D 64, Trio "Majestät’sche Sonnenrosse" for two tenors and bass (1813)
- D 65, Canon "Schmerz verzerret ihr Gesicht" for two tenors and bass (1813, sketch)
- D 67, Trio "Frisch atmet des Morgens lebendiger Hauch" for two tenors and bass (1813)
- D 70, Trio "Dreifach ist der Schritt der Zeit (Spruch des Konfuzius)" for two tenors and bass (1813, 3rd setting; fragment)
- D 71, Trio "Die zwei Tugendwege" for two tenors and bass (1813)
- D 88, Canon "Verschwunden sind die Schmerzen" for two tenors and bass (1813)
- D 129, Trio "Mailied" for two tenors and bass (1815?, 1st setting)
- D 147, Trio "Bardengesang" for two tenors and bass (1816?)
- D 242, Trio "Trinklied im Winter" for two tenors and bass (1815, 1st setting; D deest is the 2nd setting, with a different title)
- D 243, Trio "Frühlingslied" for two tenors and bass (1815, 1st setting)
- D 331, Quartet "Der Entfernten" for two tenors and two basses (ca. 1816, 1st setting; setting identical to the one originally catalogued as D 332)
- D 337, Quartet "Die Einsiedelei" for two tenors and two basses (ca. 1816, 1st setting)
- D 338, Quartet "An den Frühling" for two tenors and two basses (ca. 1816, 2nd setting)
- D 364, Quartet "Fischerlied" for two tenors and two basses (1816 or 1817?, 2nd setting)
- D 377, Chorus "Das Grab" for men's choir and piano (1816, 3rd setting)
- D 407, Cantata "Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri" for two tenors, two basses and piano (1816)
- I. Quartet "Gütigster, Bester! Weisester Größter!" for two tenors and two basses (1st and 2nd settings; 2nd setting for two tenors, bass and piano)
- II. Aria "So Güt’ als Weisheit strömen mild" for tenor and piano
- III. Canon "Unser aller Großpapa, bleibe noch recht lange da" for three voices
- D 423, Trio "Andenken" for two tenors and bass (1816, 2nd setting)
- D 424, Trio "Erinnerungen" for two tenors and bass (1816, 2nd setting)
- D 425, Trio "Lebenslied" for two tenors and bass (1816, lost; see also D Anh. I,23)
- D 426, Trio "Trinklied (Herr Bacchus ist ein braver Mann)" for two tenors and bass (1816, lost)
- D 427, Trio "Trinklied im Mai" for two tenors and bass (1816)
- D 428, Trio "Widerhall" for two tenors and bass (1816)
- D 494, Quintet "Der Geistertanz" for two tenors and three basses (1816, 4th setting)
- D 538, Quartet "Gesang der Geister über den Wassern" for two tenors and two basses (1817, 2nd setting)
- D 572, Quartet "Lied im Freien" for two tenors and two basses (1817)
- D 598, Quartet "Das Dörfchen" for two tenors and two basses (1817, 1st version; sketch without a piano part)
- D 635, Quartet "Leise, leise laßt uns singen" for two tenors and two basses, Ruhe (1819)
- D 656, Quintet "Sehnsucht" for two tenors and three basses (1819, 4th setting)
- D 657, Quartet "Ruhe, schönstes Glück der Erde" for two tenors and two basses (1819)
- D 709, Quartet "Frühlingsgesang" for two tenors and two basses (before 1822, 1st setting)
- D 778B, Quartet "Ich hab’ in mich gesogen" for two tenors and two basses (1827?, sketch)
- D 873A, Quartet "Nachklänge" for two tenors and two basses (?) (1826?, sketch without text)
- D 893, Quartet "Grab und Mond" for two tenors and two basses (1826)
- D 901, Quartet "Wein und Liebe" for two tenors and two basses (1827)
- D 914, Quartet "Frühlingslied" for two tenors and two basses (1827, 1st setting)
- D 916, Quartet "Das stille Lied" for two tenors and two basses (1827, sketch)
- D Anh. I,18, Trio or Quartet "Lied beim Rundetanz" for two tenors and bass or two tenors and two basses (1815 or 1816, fragment)
- D Anh. I,19, Trio or Quartet "Lied im Freien" for two tenors and bass or two tenors and two basses (1815 or 1816, fragment)
- D Anh. I,20, Trio or Quartet "Amors Macht" for two tenors and bass or two tenors and two basses (1815 or 1816, fragment)
- D Anh. I,21, Trio or Quartet "Badelied" for two tenors and bass or two tenors and two basses (1815 or 1816, fragment)
- D Anh. I,22, Trio or Quartet "Sylphen" for two tenors and bass or two tenors and two basses (1815 or 1816, fragment)
- D Anh. I,23, Trio or Quartet "Lebenslied" for two tenors and bass or two tenors and two basses (1815 or 1816, fragment; see also D 425)
Part songs for female ensemble and piano
- D 140, Chorus "Klage um Ali Bey" for women's choir and piano (1815, 1st version)
- D 269, Trio "Das Leben" for two sopranos, alto and piano (1815, 2nd version)
Lieder
Lieder for a single voice soloist as included in Series IV of the New Schubert Edition and/or Series XX of Franz Schubert's Works. Note however that these editions include a few Part songs characterized as Lied.
Lieder with an opus number
Lieder published during Schubert’s lifetime
Op. 1 – "Erlkönig"
- D 328, Song "Erlkönig" for voice and piano (1815, 4th version). Lyrics by Johann Wolfgang von Goethe.
Op. 2 – "Gretchen am Spinnrade"
- D 118, Song "Gretchen am Spinnrade" for voice and piano (1814). Lyrics by Johann Wolfgang von Goethe.
Op. 3
- No. 1 D 121, Song "Schäfers Klagelied" for voice and piano (1814, 1st version). Lyrics by Johann Wolfgang von Goethe.
- No. 2 D 216, Song "Meeres Stille" for voice and piano (1815, 2nd setting). Lyrics by Johann Wolfgang von Goethe.
- No. 3 D 257, Song "Heidenröslein" for voice and piano (1815). Lyrics by Johann Wolfgang von Goethe.
- No. 4 D 368, Song "Jägers Abendlied" for voice and piano (1816?, 2nd setting). Lyrics by Johann Wolfgang von Goethe.
Op. 4
- No. 1 D 489, Song "Der Wanderer" for voice and piano, Der Unglückliche (1816, 3rd version ). Lyrics by Schmidt von Lübeck.
- No. 2 D 685, Song "Morgenlied" for voice and piano (1820). Lyrics by Werner.
- No. 3 D 224, Song "Wandrers Nachtlied I" for voice and piano (1815). Lyrics by Johann Wolfgang von Goethe.
Op. 5
- No. 1 D 138, Song "Rastlose Liebe" for voice and piano (1815, 1st version). Lyrics by Johann Wolfgang von Goethe.
- No. 2 D 162, Song "Nähe des Geliebten" for voice and piano (1815, 2nd version). Lyrics by Johann Wolfgang von Goethe.
- No. 3 D 225, Song "Der Fischer" for voice and piano (1815, 2nd version). Lyrics by Johann Wolfgang von Goethe.
- No. 4 D 226, Song "Erster Verlust" for voice and piano (1815). Lyrics by Johann Wolfgang von Goethe.
- No. 5 D 367, Song "Der König in Thule" for voice and piano (1816). Lyrics by Johann Wolfgang von Goethe.
Op. 6
- No. 1 D 541, Song "Memnon" for voice and piano (1817). Lyrics by Mayrhofer.
- No. 3 D 504, Song "Am Grabe Anselmos" for voice and piano (1816, 1st version). Lyrics by Claudius.
Op. 7
- No. 1 D 514, Song "Die abgeblühte Linde" for voice and piano (1817?). Lyrics by Széchénye.
- No. 2 D 515, Song "Der Flug der Zeit" for voice and piano (1817?). Lyrics by Széchénye.
- No. 3 D 531, Song "Der Tod und das Mädchen" for voice and piano (1817). Lyrics by Claudius.
Op. 8
- No. 1 D 702, Song "Der Jüngling auf dem Hügel" for voice and piano (1820). Lyrics by H. Hüttenbrenner.
- No. 2 D 516, Song "Sehnsucht" for voice and piano (1816?). Lyrics by Johann Mayrhofer.
- No. 3 D 586, Song "(Am) Erlafsee" for voice and piano (1817). Lyrics by Johann Baptist Mayrhofer.
- No. 4 D 539, Song "Am Strome" for voice and piano (1817). Lyrics by Johann Baptist Mayrhofer.
Op. 12 – Gesänge des Harfners aus "Wilhelm Meister"
Lyrics by Johann Wolfgang von Goethe.
- D 478, Song cycle Gesänge des Harfners aus "Wilhelm Meister" for voice and piano (1822)
- 1. "Wer sich der Einsamkeit ergibt", Harfenspieler I (1822?, 2nd setting; 2nd version)
- 2. "Wer nie sein Brot mit Tränen aß", Harfenspieler III (1822, 3rd setting)
- 3. "An die Türen will ich schleichen", Harfenspieler II (1822?, 2nd version)
Op. 13
- No. 1 D 517, Song "Der Schäfer und der Reiter" for voice and piano (1817). Lyrics by Fouqué.
- No. 2 D 711, Song "Lob der Tränen" for voice and piano (1818?, 2nd version). Lyrics by A. W. Schlegel.
- No. 3 D 524, Song "Der Alpenjäger" for voice and piano (1817, 3rd version). Lyrics by Johann Mayrhofer.
Op. 14
- No. 1 D 720, Song "Suleika I" for voice and piano (1821, 2nd version). Lyrics by Johann Wolfgang von Goethe.
- No. 2 D 719, Song "Geheimes" for voice and piano (1821). Lyrics by Johann Wolfgang von Goethe.
Op. 19
- No. 1 D 369, Song "An Schwager Kronos" for voice and piano (1816). Lyrics by Johann Wolfgang von Goethe.
- No. 2 D 161, Song "An Mignon" for voice and piano (1815, 2nd version). Lyrics by Johann Wolfgang von Goethe.
- No. 3 D 544, Song "Ganymed" for voice and piano (1817). Lyrics by Johann Wolfgang von Goethe.
Op. 20
- No. 1 D 741, Song "Sei mir gegrüßt" for voice and piano (1821–1822). Lyrics by Rückert.
- No. 2 D 686, Song "Frühlingsglaube" for voice and piano (1820, 3rd version). Lyrics by Uhland.
- No. 3 D 552, Song "Hänflings Liebeswerbung" for voice and piano (1817, 2nd version). Lyrics by Friedrich Kind.
Op. 21
- No. 1 D 553, Song "Auf der Donau" for bass and piano (1817). Lyrics by Johann Mayrhofer.
- No. 2 D 536, Song "Der Schiffer" for bass and piano (1817?, 2nd version). Lyrics by Johann Mayrhofer.
- No. 3 D 525, Song "Wie Ulfru fischt" for bass and piano (1817, 2nd version). Lyrics by Johann Mayrhofer.
Op. 22
- No. 1 D 771, Song "Der Zwerg" for voice and piano (1822?). Lyrics by M. von Collin.
- No. 2 D 772, Song "Wehmut" for voice and piano (1822 or 1823?). Lyrics by M. von Collin.
Op. 23
- No. 1 D 751, Song "Die Liebe hat gelogen" for voice and piano (1822). Lyrics by Platen.
- No. 2 D 743, Song "Selige Welt" for bass and piano (1822?). Lyrics by Senn.
- No. 3 D 744, Song "Schwanengesang" for voice and piano (1822?). Lyrics by Senn.
- No. 4 D 761, Song "Schatzgräbers Begehr" for voice and piano (1822, 2nd version). Lyrics by Schober.
Op. 24
- No. 1 D 583, Song "Gruppe aus dem Tartarus" for voice and piano (1817, 2nd setting). Lyrics by Schiller.
- No. 2 D 527, Song "Schlaflied" for voice and piano, Abendlied or Schlummerlied (1817, 2nd version). Lyrics by Johann Mayrhofer.
Op. 25 – Die schöne Müllerin
- D 795, Song cycle Die schöne Müllerin for voice and piano (1823). Lyrics by Wilhelm Müller.
- 1. "Das Wandern"
- 2. "Wohin?"
- 3. "Halt!"
- 4. "Danksagung an den Bach"
- 5. "Am Feierabend"
- 6. "Der Neugierige"
- 7. "Ungeduld"
- 8. "Morgengruß"
- 9. "Des Müllers Blumen"
- 10. "Tränenregen"
- 11. "Mein!"
- 12. "Pause"
- 13. "Mit dem grünen Lautenbande"
- 14. "Der Jäger"
- 15. "Eifersucht und Stolz"
- 16. "Die liebe Farbe"
- 17. "Die böse Farbe"
- 18. "Trockne Blumen"
- 19. "Der Müller und der Bach"
- 20. "Des Baches Wiegenlied"
Op. 31 – "Suleika II"
- D 717, Song "Suleika II" for voice and piano (1821). Lyrics by Johann Wolfgang von Goethe.
Op. 32 – "Die Forelle"
- D 550, Song "Die Forelle" for voice and piano (1816–1821, 4th version). Lyrics by Christian Daniel Schubart.
Op. 36
- No. 1 D 707, Song "Der zürnenden Diana" for voice and piano (1820, 2nd version)
- No. 2 D 672, Song "Nachtstück" for voice and piano (1819, 2nd version)
Op. 37
- No. 1 D 794, Song "Der Pilgrim" for voice and piano (1823, 2nd version)
- No. 2 D 588, Song "Der Alpenjäger" for voice and piano (1817, 2nd version)
Op. 38 – "Der Liedler"
- D 209, Song "Der Liedler" for voice and piano (1815)
Op. 39 – "Sehnsucht"
- D 636, Song "Sehnsucht" for voice and piano (1821?, 2nd setting; 3rd version)
Op. 41 – "Der Einsame"
- D 800, Song "Der Einsame" for voice and piano (1825)
Op. 43
- No. 1 D 828, Song "Die junge Nonne" for voice and piano (1825)
- No. 2 D 827, Song "Nacht und Träume" for voice and piano (1823, 2nd version)
Op. 44 – "An die untergehende Sonne"
- D 457, Song "An die untergehende Sonne" for voice and piano (1816 sketch, finished 1817)
Op. 52
Sieben Gesänge aus Walter Scotts ‘Fräulein am See’
- No. 1 D 837, Song "Ellens Gesang I" for voice and piano (1825)
- No. 2 D 838, Song "Ellens Gesang II" for voice and piano (1825)
- No. 5 D 846, Song "Normans Gesang" for voice and piano (1825)
- No. 6 D 839, Song "Ellens Gesang III (Hymne an die Jungfrau)" for voice and piano, Ave Maria or Hymne an die Jungfrau (1825)
- No. 7 D 843, Song "Lied des gefangenen Jägers" for voice and piano (1825)
Op. 56
- No. 1 D 767, Song "Willkommen und Abschied" for voice and piano (1822, 2nd version)
- No. 2 D 737, Song "An die Leier" for voice and piano (1822 or 1823?)
- No. 3 D 738, Song "Im Haine" for voice and piano (1822 or 1823?)
Op. 57
- No. 1 D 633, Song "Der Schmetterling" for voice and piano (1819 and 1823?)
- No. 2 D 634, Song "Die Berge" for voice and piano (1819 and 1823?)
- No. 3 D 193, Song "An den Mond" for voice and piano (1815, 2nd version)
Op. 58
- No. 1 D 312, Song "Hektors Abschied" for voice and piano (1815, 2nd version)
- No. 2 D 113, Song "An Emma" for voice and piano (1814, 3rd version)
- No. 3 D 191, Song "Des Mädchens Klage" for voice and piano (1815, 2nd setting; 2nd version)
Op. 59
- No. 1 D 756, Song "Du liebst mich nicht" for voice and piano (1822, 2nd version)
- No. 2 D 775, Song "Daß sie hier gewesen" for voice and piano (1823?)
- No. 3 D 776, Song "Du bist die Ruh" for voice and piano (1823)
- No. 4 D 777, Song "Lachen und Weinen" for voice and piano (1823)
Op. 60
- No. 1 D 778, Song "Greisengesang" for bass and piano (1823, 3rd version)
- No. 2 D 801, Song "Dithyrambe" for bass and piano (pub. 1826, 2nd setting; 2nd version)
Op. 62
- D 877, Song cycle Gesänge aus "Wilhelm Meister" (1826)
- 2. "Lied der Mignon" for voice and piano (2nd setting)
- 3. "Lied der Mignon" for voice and piano (3rd setting)
- 4. "Lied der Mignon" for voice and piano (6th setting)
Op. 65
- No. 1 D 360, Song "Lied eines Schiffers an die Dioskuren" for voice and piano (1816)
- No. 2 D 649, Song "Der Wanderer" for voice and piano (1819, 2nd version)
- No. 3 D 753, Song "Heliopolis I" for voice and piano, Aus Heliopolis I or Im Hochgebirge (1822)
Op. 68 – "Der Wachtelschlag"
- D 742, Song "Der Wachtelschlag" for voice and piano (pub. 1822)
Op. 71 – "Drang in die Ferne"
- D 770, Song "Drang in die Ferne" for voice and piano (1823)
Op. 72 – "Auf dem Wasser zu singen"
- D 774, Song "Auf dem Wasser zu singen" for voice and piano (1823)
Op. 73 – "Die Rose"
- D 745, Song "Die Rose" for voice and piano (1822, 1st version)
Op. 79
- No. 1 D 851, Song "Das Heimweh" for voice and piano (1825, 2nd version)
- No. 2 D 852, Song "Die Allmacht" for voice and piano (1825, 1st setting)
Op. 80
- No. 1 D 870, Song "Der Wanderer an den Mond" for voice and piano (1826)
- No. 2 D 871, Song "Das Zügenglöcklein" for voice and piano (1826, 2nd version)
- No. 3 D 880, Song "Im Freien" for voice and piano (1826)
Op. 81
- No. 1 D 904, Song "Alinde" for voice and piano (1827)
- No. 2 D 905, Song "An die Laute" for voice and piano (1827)
Op. 83
- D 902, Three songs "Drei Gesänge" for bass and piano (1827)
- 1. "L'incanto degli occhi; Die Macht der Augen" (2nd setting)
- 2. "Il traditor deluso; Der getäuschte Verräter"
- 3. "Il modo di prender moglie; Die Art ein Weib zu nehmen"
Op. 85
- No. 1 D 830, Song "Lied der Anne Lyle" for voice and piano (1825?)
- No. 2 D 831, Song "Gesang der Norna" for voice and piano (1825)
Op. 86 – "Romanze des Richard Löwenherz"
- D 907, Song "Romanze des Richard Löwenherz" for voice and piano (1826?, 2nd version)
Op. 87
- No. 1 D 713, Song "Der Unglückliche" for voice and piano (1821, 2nd version)
- No. 2 D 637, Song "Hoffnung" for voice and piano (ca. 1819, 2nd setting)
- No. 3 D 638, Song "Der Jüngling am Bache" for voice and piano (1819, 3rd setting; 2nd version)
Op. 88
- No. 1 D 856, Song "Abendlied für die Entfernte" for voice and piano (1825)
- No. 2 D 595, Song "Thekla (eine Geisterstimme)" for voice and piano (1817, 2nd setting; 2nd version)
- No. 3 D 862, Song "Um Mitternacht" for voice and piano (1825 and 1826?, 2nd version)
- No. 4 D 547, Song "An die Musik" for voice and piano (1817, 2nd version)
Op. 89 – Winterreise
- D 911, Song cycle Winterreise for voice and piano (1827). Lyrics by Wilhelm Müller.
- 1. "Gute Nacht"
- 2. "Die Wetterfahne"
- 3. "Gefror’ne Tränen"
- 4. "Erstarrung"
- 5. "Der Lindenbaum"
- 6. "Wasserflut"
- 7. "Auf dem Flusse" (2nd version)
- 8. "Rückblick"
- 9. "Irrlicht"
- 10. "Rast" (2nd version)
- 11. "Frühlingstraum" (2nd version)
- 12. "Einsamkeit"
- 13. "Die Post"
- 14. "Der greise Kopf"
- 15. "Die Krähe"
- 16. "Letzte Hoffnung"
- 17. "Im Dorfe"
- 18. "Der stürmische Morgen"
- 19. "Täuschung"
- 20. "Der Wegweiser"
- 21. "Das Wirtshaus"
- 22. "Mut" (2nd version)
- 23. "Die Nebensonnen" (2nd version)
- 24. "Der Leiermann"
Op. 92
- No. 1 D 764, Song "Der Musensohn" for voice and piano (1822, 2nd version)
- No. 2 D 543, Song "Auf dem See" for voice and piano (1817, 2nd version)
- No. 3 D 142, Song "Geistes-Gruß" for voice and piano (1815 or 1816, 6th version)
Op. 93
- No. 1 D 834, Song "Im Walde" for voice and piano (1825, 2nd version)
- No. 2 D 853, Song "Auf der Bruck" for voice and piano (1825, 2nd version)
Op. 95 – Vier Refrainlieder
- D 866, Song cycle Vier Refrainlieder for voice and piano (1828?)
- 1. "Die Unterscheidung"
- 2. "Bei dir allein"
- 3. "Die Männer sind méchant"
- 4. "Irdisches Glück"
Op. 96
- No. 1 D 939, Song "Die Sterne" for voice and piano (1828)
- No. 2 D 909, Song "Jägers Liebeslied" for voice and piano (1827)
- No. 3 D 768, Song "Wandrers Nachtlied" for voice and piano (1824)
- No. 4 D 881, Song "Fischerweise" for voice and piano (1826, 2nd version)
Op. 97
- D 955, Song "Glaube, Hoffnung und Liebe" for voice and piano (1828)
Op. 98
- No. 1 D 497, Song "An die Nachtigall" for voice and piano (1816)
- No. 2 D 498, Song "Wiegenlied" for voice and piano (1816)
- No. 3 D 573, Song "Iphigenia" for voice and piano (1817, 3rd version)
Op. 105
- No. 1 D 865, Song "Widerspruch" for voice and piano (1828, 2nd version)
- No. 2 D 867, Song "Wiegenlied" for voice and piano (1826 or 1827)
- No. 3 D 878, Song "Am Fenster" for voice and piano (1826)
- No. 4 D 879, Song "Sehnsucht" for voice and piano (1826)
Op. 106
- No. 1 D 922, Song "Heimliches Lieben" for voice and piano (1827, 2nd version)
- No. 2 D 926, Song "Das Weinen" for voice and piano (1827–1828)
- No. 3 D 927, Song "Vor meiner Wiege" for voice and piano (1827–1828)
- No. 4 D 891, Song "An Sylvia" for voice and piano, Gesang (1826)
Op. 108
- No. 1 D 884, Song "Über Wildemann" for voice and piano (1826)
- No. 2 D 758, Song "Todesmusik" for voice and piano (1822, 2nd version)
- No. 3 D 229, Song "Die Erscheinung" ("Erinnerung") for voice and piano (1815)
Lieder published posthumously
Op. posth. 101
- No. 1 D 882, Song "Im Frühling" for voice and piano (1826, 2nd version)
- No. 2 D 833, Song "Der blinde Knabe" for voice and piano (1825, 2nd version)
- No. 3 D 546, Song "Trost im Liede" for voice and piano (1817, 2nd version)
Op. posth. 109
- No. 1 D 361, Song "Am Bach im Frühling" for voice and piano (1816, 1st version)
- No. 2 D 143, Song "Genügsamkeit" for voice and piano (1815)
- No. 3 D 530, Song "An eine Quelle" for voice and piano (1817)
Op. posth. 110 – "Der Kampf"
- D 594, Song "Der Kampf" for bass and piano (1817)
Op. posth. 111
- No. 2 D 395, Song "Lebens-Melodien" for voice and piano (1816)
- No. 3 D 391, Song "Die vier Weltalter" for voice and piano (1816)
Op. posth. 115
- No. 1 D 917, Song "Das Lied im Grünen" for voice and piano (1827)
- No. 2 D 260, Song "Wonne der Wehmut" for voice and piano (1815)
- No. 3 D 410, Song "Sprache der Liebe" for voice and piano (1816)
Op. posth. 116 – "Die Erwartung"
- D 159, Song "Die Erwartung" for voice and piano (1816, 2nd version)
Op. posth. 117 – "Der Sänger"
- D 149, Song "Der Sänger" for voice and piano (1815, 2nd version)
Op. posth. 118
- No. 1 D 233, Song "Geist der Liebe" for voice and piano (1815)
- No. 2 D 221, Song "Der Abend" for voice and piano (1815)
- No. 3 D 234, Song "Tischlied" for voice and piano (1815)
- No. 4 D 248, Song "Lob des Tokayers" for voice and piano (1815)
- No. 5 D 270, Song "An die Sonne" for voice and piano (1815)
- No. 6 D 247, Song "Die Spinnerin" for voice and piano (1815)
Op. posth. 119 – "Auf dem Strom"
- D 943, Song "Auf dem Strom" for voice, horn (or violoncello) and piano (1828)
Op. posth. 123 – "Viola"
- D 786, Song "Viola" for voice and piano (1823)
Op. posth. 124
- D 857, Two songs "Zwei Szenen aus dem Schauspiel ‘Lacrimas’ " for voice and piano (1825)
- 1. "Lied der Delphine"
- 2. "Lied des Florio"
Op. posth. 126 – "Ballade"
- D 134, Song "Ballade" for voice and piano (1815?)
Op. posth. 129 – "Der Hirt auf dem Felsen"
- D 965, Song "Der Hirt auf dem Felsen" for voice, clarinet and piano (1828)
Op. posth. 130 – "Das Echo"
- D 990C, Song "Das Echo" for voice and piano (1828?)
Op. posth. 131
- No. 1 D 141, Song "Der Mondabend" for voice and piano (1815)
- No. 3 D 23, Song "Klaglied" for voice and piano (1812)
Op. posth. 165
- No. 1 D 673, Song "Die Liebende schreibt" for voice and piano (1819, 2nd version)
- No. 2 D 670, Song "Die Sternennächte" for voice and piano (1819, 2nd version)
- No. 3 D 155, Song "Das Bild" for voice and piano (1815)
- No. 4 D 230, Song "Die Täuschung" for voice and piano (1815)
- No. 5 D 923, Song "Eine altschottische Ballade" for male voice, female voice and piano, Edward (1827, 1st version)
Op. posth. 172
- No. 1 D 213, Song "Der Traum" for voice and piano (1815)
- No. 2 D 214, Song "Die Laube" for voice and piano (1815)
- No. 3 D 196, Song "An die Nachtigall" for voice and piano (1815)
- No. 4 D 231, Song "Das Sehnen" for voice and piano (1815)
- No. 5 D 283, Song "An den Frühling" for voice and piano (1815, 1st setting)
- No. 6 D 691, Song "Die Vögel" for voice and piano (1820)
Op. posth. 173
- No. 1 D 195, Song "Amalia" for voice and piano (1815)
- No. 2 D 793, Song "Das Geheimnis" for voice and piano (1823, 2nd setting)
- No. 3 D 177, Song "Vergebliche Liebe" for voice and piano (1815)
- No. 4 D 731, Song "Der Blumen Schmerz" for voice and piano (1821)
- No. 5 D 519, Song "Die Blumensprache" for voice and piano (1817?)
- No. 6 D 627, Song "Das Abendrot" for bass and piano (1818)
Lieder with orchestral accompaniment
- D 535, Song "Lied (Brüder, schrecklich brennt die Träne)" for soprano and small orchestra (1817)
Lieder with chamber ensemble accompaniment
- D 81, Song "Auf den Sieg der Deutschen" for voice, two violins and violoncello (1813)
- D 83, Song "Zur Namensfeier des Herrn Andreas Siller" for voice, violin and harp (1813)
Lieder with piano accompaniment
Lieder for soprano and piano
- D 42, Aria "Misero pargoletto" for soprano and piano (1813?, 1st setting: 1st and 2nd versions – both fragments, in addition to a 2nd setting)
- D 78, Aria "Son fra l’onde" for soprano and piano (1813)
- D 510, Aria "Vedi quanto adoro" for soprano and piano (1816, 1st, 2nd, 3rd and 4th versions; also appears as "Vedi quanto t'adoro")
- D 528, Arietta "La pastorella al prato" for soprano and piano, La Pastorella (1817, 2nd setting)
- D 990E, Aria "L'incanto degli occhi" for soprano and piano (1816?, 1st setting; fragment)
- D 990F, Aria "Ombre amene" for soprano and piano, La serenata (1816?, fragment; originally, the Deutsch catalogue incorrectly listed this entry as an early version of the song "Il traditor deluso")
Lieder for bass and piano
- D 1A, Song "Gesang in c" for bass and piano (before 1810, fragment without text)
- D 44, Song "Totengräberlied" for bass and piano (1813, 2nd setting)
- D 52, Song "Sehnsucht" for bass and piano (1813, 1st setting)
- D 76, Aria "Pensa, che questo istante" for bass and piano (1813, 1st and 2nd versions)
- D 77, Song "Der Taucher" for bass and piano (1813–1815, 1st and 2nd versions; 2nd version was formerly D 111)
- D 104, Song "Die Befreier Europas in Paris" for bass and piano (1814, 1st, 2nd and 3rd versions)
- D 518, Song "An den Tod" for bass and piano (1816 or 1817)
- D 524, Song "Der Alpenjäger" for bass and piano (1817, 2nd version)
- D 525, Song "Wie Ulfru fischt" for bass and piano (1817, 1st version)
- D 526, Song "Fahrt zum Hades" for bass and piano (1817)
- D 536, Song "Der Schiffer" for bass and piano (1817?, 1st version)
- D 565, Song "Der Strom" for bass and piano (1817?)
- D 674, Song "Prometheus" for bass and piano (1819)
- D 716, Song "Grenzen der Menschheit" for bass and piano (1821)
- D 721, Song "Mahomets Gesang" for bass and piano (1821, 2nd setting; fragment)
- D 754, Song "Heliopolis II" for bass and piano, Aus Heliopolis II (1822)
- D 778, Song "Greisengesang" for bass and piano (1823, 1st and 2nd versions)
- D 778A, Song "Die Wallfahrt" for bass and piano (1823?)
- D 785, Song "Der zürnende Barde" for bass and piano (1823)
- D 801, Song "Dithyrambe" for bass and piano (pub. 1826, 2nd setting; 1st version)
- D 805, Song "Der Sieg" for bass and piano (1824)
Lieder for any voice type and piano
D 1 to D 100
- D 5, Song "Hagars Klage" for voice and piano (1811)
- D 6, Song "Des Mädchens Klage" for voice and piano (1811 or 1812, 1st setting)
- D 7, Song "Leichenfantasie" for voice and piano (1811)
- D 10, Song "Der Vatermörder" for voice and piano (1811)
- D 15, Song "Der Geistertanz" for voice and piano (ca. 1812, 1st setting; fragment)
- D 15A, Song "Der Geistertanz" for voice and piano (ca. 1812, 2nd setting; fragment)
- D 30, Song "Der Jüngling am Bache" for voice and piano (1812, 1st setting)
- D 39, Song "Lebenstraum" for voice and piano (1810?, sketch; also appears as "Ich saß an einer Tempelhalle")
- D 50, Song "Die Schatten" for voice and piano (1813)
- D 59, Song "Verklärung" for voice and piano (1813)
- D 73, Song "Thekla (eine Geisterstimme)" for voice and piano (1813, 1st setting)
- D 93, Song cycle Don Gayseros for voice and piano (1815?)
- 1. "Don Gayseros I"
- 2. "Don Gayseros II" (fragment)
- 3. "Don Gayseros III" (fragment)
- D 95, Song "Adelaide" for voice and piano (1814)
- D 97, Song "Trost. An Elisa" for voice and piano (1814)
- D 98, Song "Erinnerungen" for voice and piano (1814, 1st setting; 2 versions; 1st version is a fragment)
- D 99, Song "Andenken" for voice and piano (1814, 1st setting)
- D 100 Song "Geisternähe" for voice and piano (1814)
D 101 to D 200
- D 101, Song "Erinnerung" ("Todtenopfer") for voice and piano (1814)
- D 102, Song "Die Betende" for voice and piano (1814)
- D 107, Song "Lied aus der Ferne" for voice and piano (1814, 1st and 2nd versions)
- D 108, Song "Der Abend" for voice and piano (1814)
- D 109, Song "Lied der Liebe" for voice and piano (1814)
- D 113, Song "An Emma" for voice and piano (1814; 1st and 2nd versions, in addition to a modified 3rd version)
- D 114, Song "Romanze" for voice and piano (1814; 1st and 2nd versions, in addition to a variant of the 1st version)
- D 115, Song "An Laura, als sie Klopstocks Auferstehungslied sang" for voice and piano (1814)
- D 116, Song "Der Geistertanz" for voice and piano (1814, 3rd setting)
- D 117, Song "Das Mädchen aus der Fremde" for voice and piano (1814, 1st setting)
- D 119, Song "Nachtgesang" for voice and piano (1814)
- D 120, Song "Trost in Tränen" for voice and piano (1814)
- D 121, Song "Schäfers Klagelied" for voice and piano (1814, 2nd version)
- D 122, Song "Ammenlied" for voice and piano (1814)
- D 123, Song "Sehnsucht" for voice and piano (1814)
- D 124, Song "Am See" for voice and piano (1814, 1st and 2nd versions; 1st version is a fragment)
- D 126, Song "Szene aus ‘Faust’" for voice and piano (1814, 1st and 2nd versions)
- D 138, Song "Rastlose Liebe" for voice and piano (1815, 2nd version)
- D 142, Song "Geistes-Gruß" for voice and piano (1815 or 1816; 1st, 2nd, 3rd, 4th and 5th versions)
- D 144, Song "Romanze" for voice and piano (1816, sketch)
- D 149, Song "Der Sänger" for voice and piano (1815, 1st version)
- D 150, Song "Lodas Gespenst" for voice and piano (1816)
- D 151, Song "Auf einen Kirchhof" for voice and piano (1815)
- D 152, Song "Minona" for voice and piano (1815)
- D 153, Song "Als ich sie erröten sah" for voice and piano (1815)
- D 159, Song "Die Erwartung" for voice and piano (1816, 1st version)
- D 160, Song "Am Flusse" for voice and piano (1815, 1st setting)
- D 161, Song "An Mignon" for voice and piano (1815, 1st version)
- D 162, Song "Nähe des Geliebten" for voice and piano (1815, 1st version)
- D 163, Song "Sängers Morgenlied" for voice and piano (1815, 1st setting)
- D 164, Song "Liebesrausch" for voice and piano (1815, 1st setting; fragment)
- D 165, Song "Sängers Morgenlied" for voice and piano (1815, 2nd setting)
- D 166, Song "Amphiaraos" for voice and piano (1815)
- D 171, Song "Gebet während der Schlacht" for voice and piano (1815, 2 versions)
- D 172, Song "Der Morgenstern" for voice and piano (1815, 1st setting; sketch)
- D 174, Song "Das war ich" for voice and piano (1815, 1st and 2nd versions; 2nd version is a sketch)
- D 176, Song "Die Sterne" for voice and piano (1815)
- D 177A, Song "Am ersten Mai" for voice and piano (before 1821, lost)
- D 179, Song "Liebesrausch" for voice and piano (1815, 2nd setting)
- D 180, Song "Sehnsucht der Liebe" for voice and piano (1815)
- D 182, Song "Die erste Liebe" for voice and piano (1815)
- D 186, Song "Die Sterbende" for voice and piano (1815)
- D 187, Song "Stimme der Liebe" for voice and piano (1815, 1st setting)
- D 188, Song "Naturgenuß" for voice and piano (1815, 1st setting)
- D 190, Singspiel "Der vierjährige Posten" (1815)
- 5. Arie: Gott! Gott! höre meine Stimme (version for voice and piano)
- D 191, Song "Des Mädchens Klage" for voice and piano (1815, 2nd setting; 1st version)
- D 192, Song "Der Jüngling am Bache" for voice and piano (1815, 2nd setting)
- D 193, Song "An den Mond" for voice and piano (1815, 1st version)
- D 194, Song "Die Mainacht" for voice and piano (1815)
- D 197, Song "An die Apfelbäume, wo ich Julien erblickte" for voice and piano (1815)
- D 198, Song "Seufzer" for voice and piano (1815)
D 201 to D 300
- D 201, Song "Auf den Tod einer Nachtigall" for voice and piano (1815, 1st setting; sketch)
- D 204A, Song "Das Traumbild" for voice and piano (1815, lost)
- D 206, Song "Liebeständelei" for voice and piano (1815)
- D 207, Song "Der Liebende" for voice and piano (1815)
- D 208, Song "Die Nonne" for voice and piano (1815, 1st and 2nd versions; 1st version is a fragment; 2nd version was formerly D 212)
- D 210, Song "Die Liebe" for voice and piano, Klärchens Lied (1815)
- D 211, Song "Adelwold und Emma" for voice and piano (1815)
- D 215, Song "Jägers Abendlied" for voice and piano (1815, 1st setting)
- D 215A, Song "Meeres Stille" for voice and piano (1815, 1st setting)
- D 217, Song "Kolmas Klage" for voice and piano (1815)
- D 218, Song "Grablied" for voice and piano (1815)
- D 219, Song "Das Finden" for voice and piano (1815)
- D 222, Song "Lieb Minna" for voice and piano (1815, also appears as "Lieb Minna. Romanze")
- D 225, Song "Der Fischer" for voice and piano (1815, 1st version and modified 2nd version with changes by Johann Michael Vogl)
- D 227, Song "Idens Nachtgesang" for voice and piano (1815)
- D 228, Song "Von Ida" for voice and piano (1815)
- D 235, Song "Abends unter der Linde" for voice and piano (1815, 1st setting)
- D 237, Song "Abends unter der Linde" for voice and piano (1815, 2nd setting; 2 versions)
- D 238, Song "Die Mondnacht" for voice and piano (1815)
- D 240, Song "Huldigung" for voice and piano (1815)
- D 241, Song "Alles um Liebe" for voice and piano (1815)
- D 246, Song "Die Bürgschaft" for voice and piano (1815)
- D 250, Song "Das Geheimnis" for voice and piano (1815, 1st setting)
- D 251, Song "Hoffnung" for voice and piano (1815, 1st setting)
- D 252, Song "Das Mädchen aus der Fremde" for voice and piano (1815, 2nd setting)
- D 253, Song "Punschlied. Im Norden zu singen" for voice and piano (1815, 1st version)
- D 254, Song "Der Gott und die Bajadere" for voice and piano (1815, also appears as "Der Gott und die Bajadere. Indische Legende")
- D 255, Song "Der Rattenfänger" for voice and piano (1815)
- D 256, Song "Der Schatzgräber" for voice and piano (1815)
- D 258, Song "Bundeslied" for voice and piano (1815)
- D 259, Song "An den Mond" for voice and piano (1815, 1st setting)
- D 261, Song "Wer kauft Liebesgötter?" for voice and piano (1815, 2 versions)
- D 262, Song "Die Fröhlichkeit" for voice and piano (1815)
- D 263, Song "Cora an die Sonne" for voice and piano (1815)
- D 264, Song "Der Morgenkuß" for voice and piano (1815, 1st and 2nd versions)
- D 265, Song "Abendständchen. An Lina" for voice and piano (1815)
- D 266, Song "Morgenlied" for voice and piano (1815)
- D 271, Song "Der Weiberfreund" for voice and piano (1815)
- D 272, Song "An die Sonne" for voice and piano (1815)
- D 273, Song "Lilla an die Morgenröte" for voice and piano (1815)
- D 274, Song "Tischlerlied" for voice and piano (1815, 1st and 2nd versions)
- D 275, Song "Totenkranz für ein Kind" for voice and piano (1815)
- D 276, Song "Abendlied" for voice and piano (1815)
- D 278, Song "Ossians Lied nach dem Falle Nathos" for voice and piano (1815; 1st, 2nd and 3rd versions; 1st version is a fragment)
- D 280, Song "Das Rosenband" for voice and piano (1815)
- D 281, Song "Das Mädchen von Inistore" for voice and piano (1815, 1st and 2nd versions)
- D 282, Song "Cronnan" for voice and piano (1815, 1st and 2nd versions)
- D 284, Song "Lied (Es ist so angenehm)" for voice and piano (1815)
- D 285, Song "Furcht der Geliebten/An Cidli" for voice and piano (1815, 1st and 2nd versions)
- D 286, Song "Selma und Selmar" for voice and piano (1815, 1st and 2nd versions)
- D 287, Song "Vaterlandslied" for voice and piano (1815, 1st and 2nd versions)
- D 288, Song "An Sie" for voice and piano (1815)
- D 289, Song "Die Sommernacht" for voice and piano (1815, 1st and 2nd versions)
- D 290, Song "Die frühen Gräber" for voice and piano (1815)
- D 291, Song "Dem Unendlichen" for voice and piano (1815, 1st, 2nd and 3rd versions)
- D 293, Song "Shilric und Vinvela" for voice and piano (1815, 1st and 2nd versions)
- D 295, Song "Hoffnung" for voice and piano (1815 or 1816?, 1st and 2nd versions)
- D 296, Song "An den Mond" for voice and piano (1815 or 1816?, 2nd setting)
- D 297, Song "Augenlied" for voice and piano (1817?, 1st and 2nd versions, in addition to a modified 2nd version)
- D 298, Song "Liane" for voice and piano (1815)
- D 300, Song "Der Jüngling an der Quelle" for voice and piano (1816 or 1817)
D 301 to D 400
- D 301, Song "Lambertine" for voice and piano (1815)
- D 302, Song "Labetrank der Liebe" for voice and piano (1815)
- D 303, Song "An die Geliebte" for voice and piano (1815)
- D 304, Song "Wiegenlied" for voice and piano (1815)
- D 305, Song "Mein Gruß an den Mai" for voice and piano (1815)
- D 306, Song "Skolie" for voice and piano (1815)
- D 307, Song "Die Sternenwelten" for voice and piano (1815)
- D 308, Song "Die Macht der Liebe" for voice and piano (1815)
- D 309, Song "Das gestörte Glück" for voice and piano (1815)
- D 310, Song "Sehnsucht" for voice and piano (1815, 1st setting; 1st and 2nd versions)
- D 311, Song "An den Mond" for voice and piano (1815?, sketch without text)
- D 312, Song "Hektors Abschied" for voice and piano (1815, 1st version)
- D 313, Song "Die Sterne" for voice and piano (1815)
- D 314, Song "Nachtgesang" for voice and piano (1815, 1st and 2nd versions)
- D 315, Song "An Rosa I" for voice and piano (1815, 1st and 2nd versions)
- D 316, Song "An Rosa II" for voice and piano (1815, 1st and 2nd versions)
- D 317, Song "Idens Schwanenlied" for voice and piano (1815, 1st and 2nd versions)
- D 318, Song "Schwangesang" for voice and piano (1815)
- D 319, Song "Luisens Antwort" for voice and piano (1815, 1st and 2nd versions)
- D 320, Song "Der Zufriedene" for voice and piano (1815)
- D 321, Song "Mignon" for voice and piano (1815, 1st and 2nd versions)
- D 322, Song "Hermann und Thusnelda" for voice and piano (1815, 1st and 2nd versions)
- D 323, Song "Klage der Ceres" for voice and piano (1816; the last part, "O so laßt euch froh begrüssen" was formerly D 991; original version, in addition to both a variant of mm. 142–203 and a modified version)
- D 325, Song "Harfenspieler" for voice and piano (1815, 1st setting)
- D 327, Song "Lorma" for voice and piano (1815, 1st setting; fragment)
- D 328, Song "Erlkönig" for voice and piano (1815, 1st, 2nd and 3rd versions)
- D 329, Song "Die drei Sänger" for voice and piano (1815, fragment)
- D 342, Song "An mein Klavier" for voice and piano, Seraphine an ihr Klavier (ca. 1816)
- D 343, Song "Am Tage Aller Seelen" for voice and piano, Litanei auf das Fest Aller Seelen (1816, 1st and 2nd versions)
- D 344, Song "Am ersten Maimorgen" for voice and piano (1816?)
- D 350, Song "Der Entfernten" for voice and piano (1816?, 2nd setting)
- D 351, Song "Fischerlied" for voice and piano (1816?, 1st setting)
- D 358, Song "Die Nacht" for voice and piano (1816, 1st and 2nd versions)
- D 359, Song "Sehnsucht" for voice and piano, Lied der Mignon (1816, 2nd setting)
- D 361, Song "Am Bach im Frühling" for voice and piano (1816, 2nd version)
- D 362, Song "Zufriedenheit" for voice and piano (1816?, 1st setting)
- D 363, Song "An Chloen" for voice and piano (1816, fragment)
- D 368, Song "Jägers Abendlied" for voice and piano (1816?, 2nd setting; modified version with changes by Johann Michael Vogl)
- D 371, Song "Klage" for voice and piano (1816, 1st and 2nd versions; 1st version is a sketch)
- D 372, Song "An die Natur" for voice and piano (1816, 1st and 2nd versions)
- D 373, Song "Lied (Mutter geht durch ihre Kammern)" for voice and piano (1816?)
- D 375, Song "Der Tod Oskars" for voice and piano (1816)
- D 376, Song "Lorma" for voice and piano (1816, 2nd setting; fragment)
- D 381, Song "Morgenlied" for voice and piano (1816)
- D 382, Song "Abendlied" for voice and piano (1816)
- D 388, Song "Laura am Klavier" for voice and piano (1816, 1st and 2nd versions)
- D 389, Song "Des Mädchens Klage" for voice and piano (1816, 3rd setting)
- D 390, Song "Entzückung an Laura" for voice and piano (1816, 1st setting)
- D 392, Song "Pflügerlied" for voice and piano (1816)
- D 393, Song "Die Einsiedelei" for voice and piano (1816, 2nd setting)
- D 394, Song "An die Harmonie" for voice and piano, Gesang an die Harmonie (1816)
- D 396, Song "Gruppe aus dem Tartarus" for voice and piano (1816, 1st setting; fragment)
- D 397, Song "Ritter Toggenburg" for voice and piano (1816, 1st and 2nd versions)
- D 398, Song "Frühlingslied" for voice and piano (1816, 2nd setting)
- D 399, Song "Auf den Tod einer Nachtigall" for voice and piano (1816, 2nd setting)
- D 400, Song "Die Knabenzeit" for voice and piano (1816)
D 401 to D 500
- D 401, Song "Winterlied" for voice and piano (1816)
- D 402, Song "Der Flüchtling" for voice and piano (1816)
- D 403, Song "Lied (In’s stille Land)" for voice and piano (1816, 1st, 2nd, 3rd and 4th versions; the 1st edition of the 1st version has a four-measure introduction composed by Anton Diabelli)
- D 404, Song "Die Herbstnacht" for voice and piano, Die Wehmuth (1816, 1st and 2nd versions)
- D 405, Song "Der Herbstabend" for voice and piano (1816, 1st and 2nd versions)
- D 406, Song "Abschied von der Harfe" for voice and piano (1816, 1st and 2nd versions)
- D 409, Song "Die verfehlte Stunde" for voice and piano (1816, 1st and 2nd versions)
- D 411, Song "Daphne am Bach" for voice and piano (1816)
- D 412, Song "Stimme der Liebe (Meine Selinde)" for voice and piano (1816, 1st and 2nd versions)
- D 413, Song "Entzückung" for voice and piano (1816)
- D 414, Song "Geist der Liebe" for voice and piano (1816, 1st setting)
- D 415, Song "Klage" for voice and piano (1816)
- D 416, Song "Lied in der Abwesenheit" for voice and piano (1816, fragment)
- D 418, Song "Stimme der Liebe (Abendgewölke)" for voice and piano, Abendgewölke (1816, 2nd setting)
- D 419, Song "Julius an Theone" for voice and piano (1816)
- D 429, Song "Minnelied" for voice and piano (1816)
- D 430, Song "Die frühe Liebe" for voice and piano (1816, 1st and 2nd versions)
- D 431, Song "Blumenlied" for voice and piano (1816)
- D 432, Song "Der Leidende" for voice and piano, Klage (1816, 1st, 2nd and 3rd versions)
- D 433, Song "Seligkeit" for voice and piano (1816)
- D 434, Song "Erntelied" for voice and piano (1816)
- D 436, Song "Klage" for voice and piano (1816; 1st and 2nd versions, in addition to a variant of the 1st version; 2nd version was formerly D 437)
- D 442, Song "Das große Halleluja" ; version for voice and piano (1816)
- D 443, Song "Schlachtlied" ; version for voice and piano, Schlachtgesang (1816, 1st setting)
- D 444, Song "Die Gestirne" for voice and piano (1816)
- D 445, Song "Edone" for voice and piano (1816)
- D 446, Song "Die Liebesgötter" for voice and piano (1816)
- D 447, Song "An den Schlaf" for voice and piano (1816)
- D 448, Song "Gott im Frühlinge" for voice and piano (1816, 1st and 2nd versions)
- D 449, Song "Der gute Hirt" for voice and piano (1816, original and modified versions)
- D 450, Song "Fragment aus dem Aeschylus" for voice and piano (1816, 1st and 2nd versions)
- D 454, Song "Grablied auf einen Soldaten" for voice and piano (1816)
- D 455, Song "Freude der Kinderjahre" for voice and piano (1816)
- D 456, Song "Das Heimweh (Oft in einsam stillen Stunden)" for voice and piano (1816)
- D 458, Song "Aus Diego Manazares. Ilmerine" for voice and piano (1816, also appears as "Aus Diego Manzanares")
- D 462, Song "An Chloen" for voice and piano (1816)
- D 463, Song "Hochzeit-Lied" for voice and piano (1816)
- D 464, Song "In der Mitternacht" for voice and piano (1816)
- D 465, Song "Trauer der Liebe" for voice and piano (1816, 1st and 2nd versions)
- D 466, Song "Die Perle" for voice and piano (1816)
- D 467, Song "Pflicht und Liebe" for voice and piano (1816, fragment)
- D 468, Song "An den Mond" for voice and piano (1816)
- D 469, Song "Mignon (So laßt mich scheinen, bis ich werde)" for voice and piano (1816, 1st setting; 1st and 2nd versions; both are fragments)
- D 473, Song "Liedesend" for voice and piano (1816, 1st and 2nd versions)
- D 474, Song "Lied des Orpheus, als er in die Hölle ging" for voice and piano (1816, 1st and 2nd versions)
- D 475, Song "Abschied" for voice and piano (1816, also appears as "Abschied. Nach einer Wallfahrts-Arie bearbeitet")
- D 476, Song "Rückweg" for voice and piano (1816)
- D 477, Song "Alte Liebe rostet nie" for voice and piano (1816)
- D 478, Song cycle Gesänge des Harfners aus "Wilhelm Meister" for voice and piano
- 1. "Wer sich der Einsamkeit ergibt", Harfenspieler I (1816, 2nd setting; 1st version and modified 2nd version)
- 2. "Wer nie sein Brot mit Tränen aß", Harfenspieler III (1816; 1st and 2nd settings, in addition to a modified version of the 3rd setting)
- 3. "An die Türen will ich schleichen", Harfenspieler II (1816, 1st version and modified 2nd version)
- D 481, Song "Sehnsucht" for voice and piano, Lied der Mignon (1816, 3rd setting)
- D 482, Song "Der Sänger am Felsen" for voice and piano (1816)
- D 483, Song "Lied (Ferne von der großen Stadt)" for voice and piano (1816)
- D 484, Song "Gesang der Geister über den Wassern" for voice and piano (1816, 1st setting; fragment)
- D 489, Song "Der Wanderer" for voice and piano, Der Unglückliche (1816, 1st and 2nd versions; 2nd version was formerly D 493)
- D 490, Song "Der Hirt" for voice and piano (1816)
- D 491, Song "Geheimnis" for voice and piano (1816)
- D 492, Song "Zum Punsche" for voice and piano (1816)
- D 495, Song "Abendlied der Fürstin" for voice and piano (1816)
- D 496, Song "Bei dem Grabe meines Vaters" for voice and piano (1816)
- D 496A, Song "Klage um Ali Bey" for voice and piano (1816, 2nd version)
- D 499, Song "Abendlied" for voice and piano (1816)
- D 500, Song "Phidile" for voice and piano (1816)
D 501 to D 600
- D 501, Song "Zufriedenheit" for voice and piano (1816, 2nd setting; 1st and 2nd versions)
- D 502, Song "Herbstlied" for voice and piano (1816)
- D 503, Song "Mailied" for voice and piano (1816, 3rd setting)
- D 504, Song "Am Grabe Anselmos" for voice and piano (1816, 2nd version)
- D 507, Song "Skolie" for voice and piano (1816)
- D 508, Song "Lebenslied" for voice and piano (1816)
- D 509, Song "Leiden der Trennung" for voice and piano (1816, 1st and 2nd versions)
- D 513A, Song "Nur wer die Liebe kennt" for voice and piano (1817?, sketch)
- D 520, Song "Frohsinn" for voice and piano (1817, 1st and 2nd versions)
- D 521, Song "Jagdlied" ; version for voice and piano (1817)
- D 522, Song "Die Liebe" for voice and piano (1817)
- D 523, Song "Trost" for voice and piano (1817)
- D 524, Song "Der Alpenjäger" for voice and piano (1817, 1st version)
- D 527, Song "Schlaflied" for voice and piano, Abendlied or Schlummerlied (1817, 1st version)
- D 532, Song "Das Lied vom Reifen" for voice and piano (1817, fragment)
- D 533, Song "Täglich zu singen" for voice and piano (1817)
- D 534, Song "Die Nacht" for voice and piano (1817)
- D 540, Song "Philoktet" for voice and piano (1817)
- D 543, Song "Auf dem See" for voice and piano (1817, 1st version)
- D 545, Song "Der Jüngling und der Tod" for voice and piano (1817, 2nd version)
- D 546, Song "Trost im Liede" for voice and piano (1817, 1st version)
- D 547, Song "An die Musik" for voice and piano (1817, 1st version)
- D 548, Song "Orest" for voice and piano (1817, also appears as "Orest auf Tauris")
- D 549, Song "Mahomets Gesang" for voice and piano (1817, 1st setting; fragment)
- D 550, Song "Die Forelle" for voice and piano (1816–1821, 1st, 2nd, 3rd and 5th versions)
- D 551, Song "Pax vobiscum" for voice and piano (1817)
- D 552, Song "Hänflings Liebeswerbung" for voice and piano (1817, 1st version)
- D 554, Song "Uraniens Flucht" for voice and piano (1817)
- D 555, Song for voice and piano "Liedentwurf in a" (1817?, sketch without text)
- D 558, Song "Liebhaber in allen Gestalten" for voice and piano (1817)
- D 559, Song "Schweizerlied" for voice and piano (1817)
- D 560, Song "Der Goldschmiedsgesell" for voice and piano (1817)
- D 561, Song "Nach einem Gewitter" for voice and piano (1817)
- D 562, Song "Fischerlied" for voice and piano (1817, 3rd setting)
- D 563, Song "Die Einsiedelei" for voice and piano (1817, 3rd setting)
- D 564, Song "Gretchen im Zwinger" for voice and piano, Gretchens Bitte (1817, fragment)
- D 573, Song "Iphigenia" for voice and piano (1817, 1st and 2nd versions)
- D 577, Song "Entzückung an Laura" for voice and piano (1817, 2nd setting; 2 fragments of a sketch)
- D 578, Song "Abschied" for voice and piano (1817)
- D 579, Song "Der Knabe in der Wiege" for voice and piano (1817, 1st and 2nd versions; 2nd version is a fragment)
- D 579A, Song "Vollendung" for voice and piano (1817)
- D 579 B, Song "Die Erde" for voice and piano (1817)
- D 584, Song "Elysium" for voice and piano (1817)
- D 585, Song "Atys" for voice and piano (1817)
- D 587, Song "An den Frühling" for voice and piano (1817, 3rd setting; 1st and 2nd versions; 2nd version was formerly D 245)
- D 588, Song "Der Alpenjäger" for voice and piano (1817, 1st version)
- D 595, Song "Thekla (eine Geisterstimme)" for voice and piano (1817, 2nd setting; 1st version)
- D 596, Song "Lied eines Kindes" for voice and piano (1817, fragment)
D 601 to D 700
- D 611, Song "Auf der Riesenkoppe" for voice and piano (1818)
- D 614, Song "An den Mond in einer Herbstnacht" for voice and piano (1818)
- D 616, Song "Grablied für die Mutter" for voice and piano (1818)
- D 620, Song "Einsamkeit" for voice and piano (1818)
- D 622, Song "Der Blumenbrief" for voice and piano (1818)
- D 623, Song "Das Marienbild" for voice and piano (1818)
- D 626, Song "Blondel zu Marien" for voice and piano (1818)
- D 628, Song "Sonett" for voice and piano, Sonett I (1818)
- D 629, Song "Sonett" for voice and piano, Sonett II (1818)
- D 630, Song "Sonett" for voice and piano, Sonett III (1818)
- D 631, Song "Blanka" for voice and piano, Das Mädchen (1818)
- D 632, Song "Vom Mitleiden Mariä" for voice and piano (1818)
- D 636, Song "Sehnsucht" for voice and piano (1821?, 2nd setting; 1st and 2nd versions)
- D 638, Song "Der Jüngling am Bache" for voice and piano (1819, 3rd setting; 1st version)
- D 639, Song "Widerschein" for voice and piano (1820, 1st and 2nd versions; 2nd version was formerly D 949)
- D 645, Song "Abend" for voice and piano (1819, fragment of a sketch)
- D 646, Song "Die Gebüsche" for voice and piano (1819)
- D 649, Song "Der Wanderer" for voice and piano (1819, 1st version)
- D 650, Song "Abendbilder" for voice and piano (1819)
- D 651, Song "Himmelsfunken" for voice and piano (1819)
- D 652, Song "Das Mädchen" for voice and piano (1819, 1st and 2nd versions)
- D 653, Song "Bertas Lied in der Nacht" for voice and piano (1819)
- D 654, Song "An die Freunde" for voice and piano (1819)
- D 658, Song "Geistliches Lied" for voice and piano (1819?)
- D 659, Song "Hymne" for voice and piano (1819; also appears as "Hymne I")
- D 660, Song "Geistliches Lied" for voice and piano (1819; also appears as "Hymne II")
- D 661, Song "Geistliches Lied" for voice and piano (1819; also appears as "Hymne III")
- D 662, Song "Geistliches Lied" for voice and piano (1819; also appears as "Hymne IV")
- D 663, Hymn "Der 13. Psalm" for voice and piano (1819, fragment)
- D 669, Song "Beim Winde" for voice and piano (1819)
- D 670, Song "Die Sternennächte" for voice and piano (1819, 1st version)
- D 671, Song "Trost" for voice and piano (1819)
- D 672, Song "Nachtstück" for voice and piano (1819, 1st version)
- D 673, Song "Die Liebende schreibt" for voice and piano (1819, 1st version)
- D 677, Song "Strophe aus ‘Die Götter Griechenlands’ " for voice and piano (1819, 1st and 2nd versions)
- D 682, Song "Über allen Zauber Liebe" for voice and piano (1820 and 1824, fragment)
- D 684, Song "Die Sterne" for voice and piano (1820)
- D 686, Song "Frühlingsglaube" for voice and piano (1820, 1st and 2nd versions)
- D 687, Song "Nachthymne" for voice and piano (1820)
- D 688, Song cycle Vier Canzonen for voice and piano (1820)
- 1. "Non t'accostar all'urna"
- 2. "Guarda, che bianca luna"
- 3. "Da quel sembiante appresi"
- 4. "Mio ben, ricordati"
- D 690, Song "Abendröte" for voice and piano (1823)
- D 692, Song "Der Knabe" for voice and piano (1820)
- D 693, Song "Der Fluß" for voice and piano (1820)
- D 694, Song "Der Schiffer" for voice and piano (1820)
- D 695, Song "Namenstagslied" for voice and piano (1820?)
- D 698, Song "Des Fräuleins Liebeslauschen" for voice and piano (1820)
- D 699, Song "Der entsühnte Orest" for voice and piano (1820)
- D 700, Song "Freiwilliges Versinken" for voice and piano (1820)
D 701 to D 800
- D 707, Song "Der zürnenden Diana" for voice and piano (1820, 2nd version, dedicated to Cathinka Buchwieser)
- D 708, Song "Im Walde" for voice and piano, Waldesnacht (1820)
- D 711, Song "Lob der Tränen" for voice and piano (1818?, 1st version)
- D 712, Song "Die gefangenen Sänger" for voice and piano (1821)
- D 713, Song "Der Unglückliche" for voice and piano (1821, 1st version)
- D 715, Song "Versunken" for voice and piano (1821, 1st and 2nd versions)
- D 720, Song "Suleika I" for voice and piano (1821, 1st version)
- D 726, Song "Mignon I" for voice and piano (1821, 1st setting)
- D 727, Song "Mignon II" for voice and piano (1821, 2nd setting)
- D 728, Song "Johanna Sebus" for voice and piano (1821, fragment)
- D 732, Opera "Alfonso und Estrella" (1821–1822)
- 8. Arie: Doch im Getümmel der Schlacht (version for voice and piano)
- 13. Arie: Wenn ich dich, Holde, sehe (version for voice and piano)
- D 736, Song "Ihr Grab" for voice and piano (1822?)
- D 745, Song "Die Rose" for voice and piano (1822, 2nd version)
- D 746, Song "Am See" for voice and piano (1822 or 1823?)
- D 749, Song "Herrn Josef Spaun, Assessor in Linz" for voice and piano (1822)
- D 752, Song "Nachtviolen" for voice and piano (1822)
- D 756, Song "Du liebst mich nicht" for voice and piano (1822, 1st version)
- D 758, Song "Todesmusik" for voice and piano (1822, 1st version)
- D 761, Song "Schatzgräbers Begehr" for voice and piano (1822, 1st version)
- D 762, Song "Schwestergruß" for voice and piano (1822)
- D 764, Song "Der Musensohn" for voice and piano (1822, 1st version)
- D 765, Song "An die Entfernte" for voice and piano (1822)
- D 766, Song "Am Flusse" for voice and piano (1822, 2nd setting)
- D 767, Song "Willkommen und Abschied" for voice and piano (1822, 1st version)
- D 788, Song "Lied (Des Lebens Tag ist schwer und schwül)" for voice and piano, Die Mutter Erde (1823)
- D 789, Song "Pilgerweise" for voice and piano (1823)
- D 792, Song "Vergißmeinnicht" for voice and piano (1823)
- D 794, Song "Der Pilgrim" for voice and piano (1823, 1st version)
- D 795, Song cycle Die schöne Müllerin for voice and piano (1823)
- 11. "Mein!" (modified version)
- 13. "Mit dem grünen Lautenbande" (modified version)
- 18. "Trockne Blumen" (modified version)
- 19. "Der Müller und der Bach" (modified version)
- D 799, Song "Im Abendrot" for voice and piano (1824 or 1825, 1st and 2nd versions)
D 801 to D 900
- D 805, Song "Der Sieg" for voice and piano (1824)
- D 806, Song "Abendstern" for voice and piano (1824)
- D 807, Song "Auflösung" for voice and piano (1824)
- D 808, Song "Gondelfahrer" for voice and piano (1824, 1st setting)
- D 827, Song "Nacht und Träume" for voice and piano (1823, 1st version)
- D 829, Melodrama "Leb’ wohl du schöne Erde" for spoken voice and piano (1826, also appears as "Abschied" or "Abschied von der Erde")
- D 832, Song "Des Sängers Habe" for voice and piano (1825)
- D 833, Song "Der blinde Knabe" for voice and piano (1825, 1st version and modified 2nd version)
- D 834, Song "Im Walde" for voice and piano (1825, 1st version)
- D 842, Song "Totengräbers Heimwehe" for voice and piano (1825)
- D 851, Song "Das Heimweh" for voice and piano (1825, 1st version)
- D 852, Song "Die Allmacht" for voice and piano (1825, 1st setting; modified version)
- D 853, Song "Auf der Bruck" for voice and piano (1825, 1st version)
- D 854, Song "Fülle der Liebe" for voice and piano (1825)
- D 855, Song "Wiedersehn" for voice and piano (1825)
- D 860, Song "An mein Herz" for voice and piano (1825)
- D 861, Song "Der liebliche Stern" for voice and piano (1825)
- D 862, Song "Um Mitternacht" for voice and piano (1825 and 1826?, 1st version)
- D 863, Song "An Gott" for voice and piano (1827 or earlier, lost)
- D 864, Song "Das Totenhemdchen" for voice and piano (after 1824, lost)
- D 869, Song "Totengräber-Weise" for voice and piano (1826)
- D 871, Song "Das Zügenglöcklein" for voice and piano (1826, 1st version)
- D 874, Song "O Quell, was strömst du rasch und wild" for voice and piano (1826?, sketch)
- D 876, Song "Im Jänner 1817" for voice and piano, Tiefes Leid (1826)
- D 877, Song cycle Gesänge aus "Wilhelm Meister" (1826)
- 2. "Lied der Mignon" for voice and piano (2nd setting, modified version)
- D 881, Song "Fischerweise" for voice and piano (1826, 1st version)
- D 882, Song "Im Frühling" for voice and piano (1826, 1st version)
- D 883, Song "Lebensmut" for voice and piano (1826)
- D 888, Song "Trinklied" for voice and piano (1826)
- D 889, Song "Ständchen" for voice and piano (1826)
- D 890, Song "Hippolits Lied" for voice and piano (1826)
- D 891, Song "An Sylvia" for voice and piano (1826)
- D 896, Song "Fröhliches Scheiden" for voice and piano (1827–1828, sketch)
- D 896A, Song "Sie in jedem Liede" for voice and piano (1827–1828, sketch)
- D 896B, Song "Wolke und Quelle" for voice and piano (1827–1828, sketch)
D 901 to D 998
- D 906, Song "Der Vater mit dem Kind" for voice and piano (1827)
- D 907, Song "Romanze des Richard Löwenherz" for voice and piano (1826?, 1st version)
- D 910, Song "Schiffers Scheidelied" for voice and piano (1827)
- D 911, Song cycle Winterreise for voice and piano (1827)
- 7. "Auf dem Flusse" (1st version)
- 10. "Rast" (1st version)
- 11. "Frühlingstraum" (1st version)
- 22. "Mut" (1st version)
- 23. "Die Nebensonnen" (1st version)
- D 916A, Song for voice and piano "Liedentwurf in C" (1827?, sketch without text)
- D 919, Song "Frühlingslied" for voice and piano (1827?, 2nd setting)
- D 922, Song "Heimliches Lieben" for voice and piano (1827, 1st version)
- D 923, Song "Eine altschottische Ballade" for voice and piano, Edward (1827; 2nd version in addition to 3rd version for male voice, female voice and piano)
- D 931, Song "Der Wallensteiner Lanzknecht beim Trunk" for voice and piano (1827)
- D 932, Song "Der Kreuzzug" for voice and piano (1827)
- D 933, Song "Des Fischers Liebesglück" for voice and piano (1827)
- D 937, Song "Lebensmut" for voice and piano (1828?, fragment)
- D 938, Song "Der Winterabend" for voice and piano (1828)
- D 945, Song "Herbst" for voice and piano (1828)
- D 957, Song cycle 13 Lieder nach Gedichten von Rellstab und Heine for voice and piano (1828, also appears as "Schwanengesang")
- 1. "Liebesbotschaft"
- 2. "Kriegers Ahnung"
- 3. "Frühlingssehnsucht"
- 4. "Ständchen" , Serenade (original and modified versions)
- 5. "Aufenthalt"
- 6. "In der Ferne"
- 7. "Abschied"
- 8. "Der Atlas"
- 9. "Ihr Bild"
- 10. "Das Fischermädchen"
- 11. "Die Stadt"
- 12. "Am Meer"
- 13. "Der Doppelgänger"
- D 965A, Song "Die Taubenpost" for voice and piano (1828)
- D 990, Song "Der Graf von Habsburg" for voice and piano (date unknown)
- D 990A, Song "Kaiser Maximilian auf der Martinswand" for voice and piano (date unknown, also appears as "Kaiser Maximilian auf der Martinswand in Tirol")
- D 990B, Song "Augenblicke im Elysium" for voice and piano (date unknown, lost)
- D 990D, Song "Die Schiffende" for voice and piano (1815?, lost)
Appendix and missing works
- D Anh. II,3, Arrangement of Two Arias from the Opera Echo et Narcisse for voice and piano (1816, compositions by Christoph Willibald Gluck)
- D deest, Song "?" improvised for a play for voice and piano (1815?, lost?; possibly identical to D 284)
- D deest, Song "?" in C major for voice and piano (1816, fragment)
- D deest, Song "Winterlied" for voice and piano, Winterabend (after 1820; 2nd setting of D 242, with a different title; also appears unofficially listed as D 242A or D 324A)
- D deest, Song "?" for voice and piano (ca. 1827, fragment; lost)
Vocal composition exercises
- D 17, Composition exercises on "Quell’ innocente figlio" for various vocal ensembles, Arie dell’ Angelo (1812?, also appears as "Aria dell’ Angelo"; 9 settings; No. 1 Solo for soprano; No. 2 Duo for two sopranos; No. 3 Trio for soprano, alto and tenor; No. 4 Quartet for soprano, alto, tenor and bass; No. 5 Trio for soprano, alto and tenor; No. 6 Trio for soprano, alto and tenor; No. 7 Quartet for soprano, alto, tenor and bass; No. 8 Quartet for soprano, alto, tenor and bass; No. 9 Quartet for soprano, alto, tenor and bass)
- D 33, Composition exercises on "Entra l'uomo allor che nasce" for various vocal ensembles, Aria di Abramo (1812, also appears as "Aria di Abramo"; 6 settings; No. 1 for soprano; No. 2 Duo for soprano and alto; No. 3 Trio for soprano, alto and tenor; No. 4 Quartet for soprano, alto, tenor and bass; No. 5 Quartet for soprano, alto, tenor and bass; No. 6 Quartet for soprano, alto, tenor and bass)
- D 34, Composition exercises on "Te solo adoro" for soprano, alto, tenor and bass (1812, 2 settings; 2nd setting is a fragment)
- D 35, Composition exercises on "Serbate, o Dei custodi" for various vocal ensembles (1812, 3 settings; No. 1 Quartet for soprano, alto tenor and bass; No. 2 Chorus for mixed choir; No. 3 Solo for tenor)
- D 619, Vocal exercises for two voices and figured bass "Singübungen" (1818, figured bass usually realized for piano)
- D deest, Canon in C major for five voices (1826?)
Vocal works, fragments and sketches of unknown genre
- D 988A, Accompaniment part in B-flat major for piano (after 1820, fragment; for a multi-part vocal composition?)
- D deest, Sketch of a composition "?" for unspecified voices and orchestra (1811?, sketch)
- D deest, Aria "?" for bass and piano (?) (1812, sketch; also appears as "Allegretto in D major")
- D deest, Vocal composition "?" for mixed choir (?) (1818?, fragment without text)
- D deest, Accompaniment for a vocal composition "?" (1821?, fragment)
- D deest, Vocal composition "?" for unspecified voices (1821?, fragment)
- D deest, Fragment of a cantata (?) "?" for unspecified soloists, choir and orchestra (date unknown, fragment without text)
- D deest, Song (?) "...doch stärker ist die Mutterliebe" for voice (?) and orchestra (date unknown, fragment; lost)
- D deest, Song (?) or piano piece (?) "Lieder für das Pianoforte" for voice (?) and/or piano (?) (date unknown, lost)
Spurious works
- D Anh. I,25, Cantata "Drum Schwester und Brüder" for voice (?), choir, violin, violoncello and other unknown instruments (1819, fragment; only violin and violoncello parts are extant)
- D Anh. I,26, Trio or Quartet "Sturmbeschwörung" for two sopranos and alto (?) or two sopranos and two altos (?) (date unknown, fragment; only one soprano part is extant)
- D Anh. I,28, Song "Klage (Nimmer länger trag ich)" for voice and piano, Nimmer länger trag ich (ca. 1817, presumably not by Schubert)
- D Anh. I,29, Song " Kaiser Ferdinand II." for voice and piano (1809?, doubtful)
- D deest, Trio "Scherz-Terzett" for three altos (1812, doubtful)
- D deest, Song "Die Nacht" for voice and guitar (after 1816?, doubtful; accompaniment part by Franz Xaver Baron von Schlechta; voice part by Schubert?)
- D deest, Song (?) "Seliges Genügen" for unspecified voice(s)/instrument(s) (date unknown, lost)
Vocal works in the catalogue by other composers
- D Anh. I,27, Song "Drei Chöre mit Bläsern" for male choir, two horns and two bassoons (date unknown, fragment; not by Schubert)
- D Anh. I,30, Song "Mein Frieden" for voice and piano (pub. 1823, composition by Franz Anton Schubert)
- D Anh. I,31, Song "Adieu! (Lebe wohl!)" for voice and piano (pub. 1824, composition by August Heinrich von Weyrauch)
- D Anh. III,1, Nine Canons "Neun Kanons" for four or more voices (ca. 1810 copy; compositions by Michael Haydn, Joseph Haydn, Josef Otter, Wolfgang Amadeus Mozart and anonymous composers)
- D Anh. III,2, Song "Die Teilung der Erde" for voice and piano (ca. 1810 copy; composition by Franz de Paula Roser)
- D Anh. III,4, Canon "Kanon (Hoffnung Kind des Himmels)" from the Singspiel "Elbondocani" for two sopranos, tenor, bass and piano (1813? copy; composition by Johann Rudolf Zumsteeg)
- D Anh. III,5, Trio "Chor der Derwische" for two tenors and bass (1813? copy; composition by Johann Rudolf Zumsteeg)
- D Anh. III,7, Scene "Monolog aus Goethes ‘Iphigenie’ " for voice, women’s choir and piano (1815 copy; composition by Johann Friedrich Reichardt)
- D Anh. III,9, Song "Deutsches Hochamt (Hier liegt vor deiner Majestät)" for voice and organ (copy of the organ part lost; composition by Michael Haydn)
- D Anh. III,11, Canon "Laß immer in der Jugend Glanz" , K. 410/Anh. 134/440d/484d (score), for two voices (copy lost; composition by Wolfgang Amadeus Mozart)
- D Anh. III,12, Canon "Selig alle, die im Herrn entschliefen" , KV 382b, for two voices (copy lost; composition by Wolfgang Amadeus Mozart)
- D Anh. III,13, Song "Abendlied unterm gestirnten Himmel" , WoO 150, for voice and piano (1820 copy; composition by Ludwig van Beethoven)
Sources
- Franz Schubert's Works (various editors and editions)
- Schubert Thematic Catalogue (various editions)
- Neue Schubert-Ausgabe (various editors and publication dates)
- Eva Badura-Skoda and Peter Branscombe. Schubert Studies: Problems of Style and Chronology. Cambridge University Press, 1982. Reprint 2008. ISBN 0521088720 ISBN 9780521088725 ISBN 9780521226066
- Brian Newbould. Schubert: The Music and the Man. University of California Press, 1999. ISBN 0520219570 ISBN 9780520219571
- Reed, John (1997), The Schubert song companion, Manchester University Press, ISBN 1-901341-00-3
- Reinhard Van Hoorickx. "Franz Schubert (1797–1828) List of the Dances in Chronological Order" in Revue belge de Musicologie/Belgisch Tijdschrift voor Muziekwetenschap, Vol. 25, No. 1/4, pp. 68–97, 1971
- Reinhard Van Hoorickx. "Thematic Catalogue of Schubert's Works: New Additions, Corrections and Notes" in Revue belge de Musicologie/Belgisch Tijdschrift voor Muziekwetenschap, Vol. 28/30, pp. 136–171, 1974–1976.
External links
- (in German) Franz Schubert, Thematisches Verzeichnis seiner Werke in chronologischer Folge on-line copy of the 1978 version of the Deutsch catalogue at archive.org
- (in German) Franz Schubert 31.1.1797 – 19.11.1828 at home
.arcor .de /kbhartmann - (in French) Franz Schubert: Catalogue des oeuvres at musiqueorguequebec
.ca - (in Italian) Franz SCHUBERT: Catalogo delle composizioni at flaminioonline
.it - 555 on-line autographs of compositions by Schubert, ordered by D. number at schubert-online.at by Austrian Academy of Sciences (OAW)
- List of works by Franz Schubert: Scores at the International Music Score Library Project
- Free scores by Franz Schubert at the International Music Score Library Project (IMSLP)
- Franz Schubert (1797–1828): New Edition of the Complete Works at www
.baerenreiter .com - The New Schubert Edition at schubert-ausgabe
.de - SCHUBERT FIRST PUBLIC PERFORMANCES: A TIMELINE at schubertusa
.weebly .com - Franz Schubert (1797–1828) – The Complete Songs at www
.hyperion-records .co .uk - Composer: Franz Peter Schubert (1797–1828) at The LiederNet Archive
- Schubertlied.de (downloadable recordings of songs by Schubert)
