In this article we will delve into the fascinating world of Nur wer die Sehnsucht kennt, a topic that has captured the attention of experts and the curious alike. Nur wer die Sehnsucht kennt is a topic that has generated interest in various spheres, from politics to science, including popular culture and history. Over the years, Nur wer die Sehnsucht kennt has been the subject of debate and analysis, and its importance and relevance has continued to grow. In this article, we will dive into the different facets of Nur wer die Sehnsucht kennt, exploring its impact on society and its evolution over time.
"Nur wer die Sehnsucht kennt" ("Only he who knows yearning") is a poem by Johann Wolfgang von Goethe. The poem appears in the 11th chapter of Book Four of Goethe's novel Wilhelm Meister's Apprenticeship. In the novel, it is sung as a duet by Mignon and the harpist (Augustin) the latter being revealed as her father at the end of the novel.
The poem has been set to music by many composers, among them Beethoven, Schubert (six settings, the last two included in Gesänge aus "Wilhelm Meister, D 877), Schumann, Wolf and Tchaikovsky (via its translation into Russian by Lev Mei). Tchaikovsky's setting is often known in English as "None but the Lonely Heart" and has been set in many vocal, choral, and instrumental arrangements.
Nur wer die Sehnsucht kennt |
Only those who know longing |