Today, The Shepherd on the Rock is a topic of great interest and relevance in modern society. For many years, The Shepherd on the Rock has been the subject of debate, discussion and analysis in different fields and disciplines. Its importance transcends borders and has generated a great impact on people's daily lives. The Shepherd on the Rock has been the subject of study, research and development, and its influence is becoming increasingly evident in today's world. In this article, we will explore the topic of The Shepherd on the Rock in depth, examining its various aspects and problems, as well as its impact on society and everyday life.
"The Shepherd on the Rock" (German: Der Hirt auf dem Felsen), D. 965, is a Lied for soprano, clarinet, and piano by Franz Schubert. It was composed in 1828 during the final months of his life.
The Lied, Schubert's penultimate composition, was written as a belated response to a request from the operaticsopranoAnna Milder-Hauptmann, a friend of Schubert. She had requested a show-piece that would allow her to express a wide range of feelings, and he wrote it as thanks for her attempts to stage one of his operas in Berlin. She received a copy of the score from Schubert's brother Ferdinand in September 1829, and the work was published a year and a half after Schubert's death. Milder sang it for the first time at the House of the Blackheads in Riga on 10 February 1830.
Structure
The Lied has three sections, with clarinet and voice equally challenged. The first, in B-flat major, is warm, as the lonely shepherd on the mountaintop listens to echoes rising from below. The second section grows dark as he expresses grief and loneliness; it starts in G minor, then modulates through A-flat major and A minor to G major. The short last section, returning to B-flat major, anticipates the coming of spring and, with it, rebirth.
^T. G. Waidelich: "Der letzte Hauch im Lied entflieht, im Lied das Herz entweicht! – Varnhagens 'Nächtlicher Schall' als letzter Baustein zum 'Hirt auf dem Felsen'." In: Schubert: Perspektiven 8 (2010), p. 237–243.
^ abVarnhagen von Ense, Karl August (1816). Vermischte Gedichte (in German). Frankfurt: Barrentrapp. p. 15. Verses 2 and 1 used by Schubert.
^"Anna Milder-Hauptmann and 'Der Hirt auf dem Felsen'". In: Schubert 200, Heidelberg 1997, pp. 165–167.[full citation needed]
^Müller, Wilhelm (1824). Sieben und siebzig Gedichte aus den hinterlassenen Papieren eines reisenden Waldhornisten. Lieder des Lebens und der Liebe, vol. 2 (in German). Dessau: Ackermann. pp. 111–112.