In this article we will explore the impact of Wiegenlied, D 498 (Schubert) in different contexts and situations. Wiegenlied, D 498 (Schubert) is a topic that has become increasingly relevant in recent years, and its influence ranges from the personal to the professional level. Throughout this analysis, we will examine the many facets of Wiegenlied, D 498 (Schubert) and how these have shaped our understanding and experience in various aspects of life. From its impact on society to its implications in technology, through its relevance in art and culture, Wiegenlied, D 498 (Schubert) has become a transversal topic that deserves to be carefully examined. Through this article, we aim to provide a complete and objective view of Wiegenlied, D 498 (Schubert) and its importance in the contemporary world.
Franz Schubert's Wiegenlied "Schlafe, schlafe, holder süßer Knabe", D 498, Op. 98, No. 2, is a lullaby composed in November 1816. The song is also known as "Mille cherubini in coro" after an Italian language arrangement for voice and orchestra by Alois Melichar.
The author of the lyrics is unknown; they are sometimes attributed to Matthias Claudius, but the poem does not appear in Claudius' collected works.
Original German lyrics | Direct English translation | English lyrics by Chapman |
---|---|---|
Schlafe, schlafe, holder, süßer Knabe, |
Sleep, sleep, gracious, sweet boy, |
Slumber, slumber, O my darling baby, |
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Alois Melichar arranged Wiegenlied along with incidental music from Schubert's opera Rosamunde to form the song "Mille cherubini in coro" for the 1935 film Vergiß mein nicht. It was performed by the tenor Beniamino Gigli with the Berlin State Opera Orchestra.
In more recent times the song was notably sung by tenor Luciano Pavarotti, usually in his Christmas concerts.