In this article, we want to explore and delve into Ständchen (Schubert), a topic that has captured the attention and interest of many people in recent times. Ständchen (Schubert) has generated debate, research and curiosity in different areas, and its relevance is undeniable. Along these lines, we will delve into the details and particularities of Ständchen (Schubert), analyzing its impact, its ramifications and its importance today. From different perspectives and approaches, we will seek to understand the extent to which Ständchen (Schubert) shapes our world and our experiences, offering a detailed and comprehensive view of this fascinating topic.
Franz Schubert composed a number of works known as Ständchen, meaning serenade.
Lieder named "Ständchen" or "Abendständchen" (evening serenade):
Part songs known as "Ständchen" or "Nächtliches Ständchen" (serenade at night):
This work is for TTBB, having the title "Quartetto" in the composer's autograph (manuscript MH 1864/c in Vienna City Library). This autograph contains the text of a single stanza, of which the text author is unknown. Eusebius Mandyczewski suggests Schubert may have been the text author. Variant versions of the text, in multiple stanzas, originated posthumously.
In 1900 the music was published as "Ständchen", with lyrics by Robert Graf. Anton Weiß is the text author of another version. Mandyczewski was the first to publish the song with its original text version (1906–1907).
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